The Farm Shop
Sales of these beautiful limited edition or one-off objects support our educational workshops and residencies, which give young people the opportunity to learn from the leading minds in contemporary design.
Clay vases, a work that illuminates how individuals leave unique and indelible marks.
Clay vases, a work that illuminates how individuals leave unique and indelible marks.
Clay vases, a work that illuminates how individuals leave unique and indelible marks.
Clay vases, a work that illuminates how individuals leave unique and indelible marks.
Clay vases, a work that illuminates how individuals leave unique and indelible marks.
Clay vases, a work that illuminates how individuals leave unique and indelible marks.
Clay vases, a work that illuminates how individuals leave unique and indelible marks.
Clay vases, a work that illuminates how individuals leave unique and indelible marks.
Clay vases, a work that illuminates how individuals leave unique and indelible marks.
Clay vases, a work that illuminates how individuals leave unique and indelible marks.
Clay vases, a work that illuminates how individuals leave unique and indelible marks.
Running Chairs by Guan Lee, with Chris Butler from Castle Fine Arts Foundry, made by bronze casting, using the ceramic shell technique.
Running Chairs by Guan Lee, with Chris Butler from Castle Fine Arts Foundry, made by bronze casting, using the ceramic shell technique.
Running Chairs by Guan Lee, with Chris Butler from Castle Fine Arts Foundry, made by bronze casting, using the ceramic shell technique.
Running Chairs by Guan Lee, with Chris Butler from Castle Fine Arts Foundry, made by bronze casting, using the ceramic shell technique.
Running Chairs by Guan Lee, with Chris Butler from Castle Fine Arts Foundry, made by bronze casting, using the ceramic shell technique.
Running Chairs by Guan Lee, with Chris Butler from Castle Fine Arts Foundry, made by bronze casting, using the ceramic shell technique.
This butter dish design series reimagines the traditional casting process, turning it on its head. The porcelain cover and the aluminium base both exist as mould and are cast in turns, designed to belong together.
This butter dish reinterprets the fascinating ritual of eating butter with a more playful and whimsical language through saturated glass shades, contrasting with the solid white.
This butter dish is an exercise in reversing the ‘Inside out’ process.
A trace ceases to be a trace if it becomes permanently etched onto a material—or does it? To transform a trace that is slight and fleeting into something generous and fixed is to create a new kind of time, an immaterial time.
Rings is a design of hollow forms created through the classic glass fusing process without using any external support.
This design uses hand-cut strips of glass placed in a temporary balance before being fused in the kiln.
Spill pots by Studio Glithero, assisted by Phil Cuttance, made by rotationally casting a mixing container.
Spill pots by Studio Glithero, assisted by Phil Cuttance, made by rotationally casting a mixing container.
Spill pots by Studio Glithero, assisted by Phil Cuttance, made by rotationally casting a mixing container.
Spill pots by Studio Glithero, assisted by Phil Cuttance, made by rotationally casting a mixing container.
Unroll is a butter tray conceived through digital calculations, designed to create a seamless, wrinkle-free dome using the slump glass technique.
Unroll is a butter tray conceived through digital calculations, designed to create a seamless, wrinkle-free dome using the slump glass technique.
